November 4, 2025
Its newest exhibition is Pricey Black Folks: A Love Letter.
Written By Shantay Robinson
Onaje Henderson, one of many three house owners of ZuCot Gallery positioned in Atlanta, thinks that we have to normalize artwork accumulating within the Black group. So, he hosts Artwork Tastings, an occasion led by an artist and one of many gallery’s professionals, designed to scale back the intimidation issue of accumulating that retains so many individuals from going to gallery exhibits and investing in artwork.
“For lots of us, even company executives, it’s their first time shopping for art work or coming to an artwork gallery,” Henderson tells BLACK ENTERPRISE of a few of his guests, “So then, how will we make them really feel comfy about these areas?” Henderson goals to foster a welcoming atmosphere at his gallery for each veteran collectors and novices.
There’s a distinction between a gallery like ZuCot and blue-chip galleries the place you’ll see works by artists like Kehinde Wiley, Kerry James Marshall, and Amy Sherald. Blue-chip galleries concentrate on artists who are already thought-about main figures in Western artwork historical past, each residing and deceased.
These artworks that fetch hundreds of thousands of {dollars} are a far attain for the first-time artwork collector who just isn’t keen or ready to speculate that a lot into an art work. A gallery like ZuCot is making itself accessible to a special viewers than that of a blue-chip gallery. Although blue-chip galleries could symbolize some Black artists, they aren’t targeted on the form of cultural legacy work Henderson is selling.
Henderson sees collectors as custodians of the tradition, capable of go down tales to the subsequent technology. He notes that generations following the child boomers could also be doing higher financially, however, in his estimation, older generations did a greater job of passing down heirlooms and different issues that have been necessary to them, serving to their descendants perceive who they have been. Passing down artworks throughout generations shares necessary narratives about collective historical past with future generations.
For a gallery like ZuCot, the actual draw is the narratives the artwork tells.
“I wish to perceive what the that means behind the art work is and the way that ties again into both the non-public expertise of the artist or the expertise of the diaspora,” Henderson says.
Artists Charly Palmer, Jamaal Barber, Horace Imhotep, Georgette Baker, Michael Reese, and Henderson’s father, Aaron Henderson, are featured within the newest exhibition, Pricey Black Folks: A Love Letter.
The exhibition conveys the concept Black folks not solely survive hardship but in addition thrive. This exhibition highlights the significance of remembering. Within the face of racism that’s now extra just like what the elders skilled, one that’s generally overt and direct, Black folks want to recollect who they’re. The exhibition invited the artists featured to heart Black pleasure, resilience, magnificence, tradition, and creativity. The gallery makes clear that the present just isn’t a protest; it’s a proclamation —an “an act of cultural preservation and affirmation.”
The placing artworks, composed of daring colours and dynamic figures, are fairly defiant and really a lot grounded in African American aesthetics that heart narratives about the Black expertise with race in America. Themes of cultural reminiscence, spirituality, and ancestral connection within the artworks categorical the various methods Black folks have resisted oppressive forces over time.
Charly Palmer’s portray, “Can I Get a Witness,” depicts a crowd of observers witnessing an act within the distance. The model of costume signifies this scene is from a time gone by, as Black girls are prominently seen sporting maids’ uniforms. With their arms crossed in entrance of their chests and the grimaces on their faces, the scene appears all too acquainted, sans cell telephones.
A extra conceptual portray, “Liberty Variant,” by Horace Imhotep, encompasses a daring pink background and a dynamic black lightning bolt placing the white Liberty Bell down onto a pile of black ashes. The symbolism is profound, expressing a story that tells of the historic subjugation of Black folks in America.
ZuCot noticed considered one of its most profitable moments throughout COVID. “I feel a part of that’s when folks have been staying at dwelling, they seemed round and mentioned, I don’t have something on my partitions that may be a reflection of me,” Henderson says. In our present economic system, potential collectors are being extra conservative, as accumulating artwork is seen as a luxurious.
Henderson says, “We have to help [the arts] as a result of the federal authorities is giving up so many grants. We now need to help our establishments.”
Amassing artwork could also be most crucial at this second due to the lower in authorities funding allotted for cultural establishments. If we wish to see these cultural establishments proceed, we need to put money into them.
It’s evident that Henderson is captivated with his work. He left company America, the place he labored as an engineer, at 29 to hitch forces with his brother and enterprise companion, each additionally engineers, to start out ZuCot with a mission to function an inclusive house for Black collectors. Initially, it began out as work to care for his or her father and his contemporaries’ art work as a result of nobody else was doing it. So, for about 25 years now, they’ve been normalizing the tradition of accumulating and difficult firms to stay as much as their range propositions.
Along with occasions that groom particular person artwork collectors, the gallery additionally works with company collectors, who declare to imagine in range, by together with Black artists of their collections. They’ve labored with Coca-Cola, Delta Airways, Dwelling Depot, and quite a few different Fortune 500 firms.
“I shouldn’t have to attend on any individual to inform me what’s good for my group. I ought to have the ability to say what’s good for me. I feel that’s the empowering a part of accumulating as nicely,” Henderson says. “All too usually, we’re informed who the highest Black artists are from people who find themselves not in our group. It’s not coming from us, and I feel that possession wants to be again in our palms.”
Pricey Black Folks: A Love Letter can be on view at ZuCot Gallery, 100 Centennial Olympic Park Drive, Atlanta, GA 30313, till mid-November.
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